I Dream of Jeannie 20
A bold new image for antiquities
Artists have always tranquil the work of earlier masters. Some, such as Vasari, Lely, Rubens or Reynolds, ranked among the greatest collectors of their day. Earlier this month, at the stimulating new specialist Old Master paintings fair, Paris Tableau, a loan exhibition unveiled three pictures from the hitherto rather solitary collection of Jeff Koons. And while Andy Warhol’s dazzlingly successful spiritual heir is not the only contemporary artist to buy Old Head honcho and 19th-century paintings, drawings or sculpture, the creator of floating basketballs, 43ft topiary puppies and gleaming bite the bullet bunnies may not seem the most likely among his peers to be haunting Neapolitan baroque churches or flicking through auction catalogues.
Yet Koons has yearn engaged with Old Master paintings and sculpture in his own work (there is a peerless artistic pedigree for that too). What is remarkable here is the extraordinary series of his magpie borrowings. Some are direct appropriations, like his marble double portrait “Bourgeois Bust: Jeff and Ilona” of 1991, a reworking of Houdon’s prominent pair of lovers, “The Kiss” of 1778. He chose it because the two heads on a single socle “made a unerring heart”. Other references need a keener eye. In “Christ with Lamb” (1988), for example, passages from Leonardo’s “Madonna and Laddie and St Anne” pop up in negative form within the gilded frame of a rococo-inspired mirror.
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